Sep 242013
 
Photos of Sony PXW-Z100

Here are some photos I took of Sony’s new $6500 4K camera, the PXW-Z100 Sony PXW-Z100 4K camcorder features: – 20x zoom lens – 1/2.3 inch sensor – 422 10-bit 4K (4096×2160) or UHD – 50 or 60P – up to 600 Mbps (at 60P) – XAVC format (like the F55) – XQD cards – [...]

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Sep 232013
 

My IBC photo album was posted on the American Cinematographer’s facebook page in a small format. Here are some of the images in a bigger format for those who might want to download a photo +++ +++ photos copyright 2013 Benjamin B Feel free to distribute these images on the web, as long as you [...]

Sep 202013
 
Anamorphic flares in TOTAL RECALL

Total Recall was shot in 5K with a Red Epic camera & Panavision anamorphic lenses. It is interesting to see what anamorphic lensing looks like with the Epic. I love flares, I love anamorphic & I love the characteristic horizontal flares from lenses with front anamorph elements. This blue-green streak has become part of the [...]

Sep 152013
 
TV formats: from analog to Ultra

At the IBC conference, I appreciated the simplicity of this powerpoint slide presented by Martin Faehnrich illustrating the recent history of television formats: ___ +++

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Sep 132013
 
Photos of the Arri AMIRA

At IBC Arri introduced a new variation on the Alexa, a 2K documentary camera using the same sensor as the Alexa. The Amira features include: – PL mount – designed for shoulder shooting – ProRes recording on CFast 2.0 cards – up to 444 HD or 2K quality – recording in Rec709 Log-C or preloaded [...]

Sep 072013
 
Hollywood Biz 3.0 - part 2 : INDIES

I have just published my second article on the new business model for Hollywood, on thefilmbook blog on theasc.com. The first part focused on foreign markets & China, this part focuses on the economics of American Indies (independent films). The topics include: – possible futures for global cinema – Soderbergh explanation of why studios don’t [...]

Sep 062013
 
Funny commercial for UHDTV set

+++ This amusing Mexican commercial hypes the convincing realism of 84-inch 4K UHDTV sets by showing a meteor hitting the city to unsuspecting job applicants. Ironically, the YouTube video resolution is terrible watch on YouTube +++ via Corentin Harlé +++

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Sep 022013
 
BLUE IS THE WARMEST COLOR stars diss director

In an interview with Marlow Stern for the Daily Beast, the leads of the powerful masterpiece Blue is the Warmest Colors recount a very difficult shoot, very awkward sex scenes, and say that they will not work with director Abdelatif Kechiche again. ————— This follows other reports in the French press from crew complaining about [...]