Photograph of Darius Khondji by Marianne Chemetov +++ When I visit Darius Khondji, ASC, AFC, in his home in Paris recently for coffee, tea and talk about his art and craft, we speak in his dark living room, with a small pool of light from a lamp on a nearby table, and soft daylight coming [...]
+++ In part 2, Darius and I discuss: Big Light Sources Approach to Exposure Light Meters Contradictions Working with Directors +++ LINKS Visit with Darius Part 1 http://bit.ly/DariusKhondjiVisit1BenjaminB Part 2 http://bit.ly/DariusKhondjiVisit2BenjaminB +++
+++ I posted an interview with cinematographer Roger Deakins about a few of the lighting set-ups in Sicario, the film he shot for director Denis Villeneuve. The interview features video, frame grabs and a lighting diagram, and covers: 1. Villeneuve 2. Sicario Raid Scene Video 3. The Raid Set 4. Space Lights & Sunlight 5. [...]
The late, great Jean-Luc Godard re-invented the Cannes press conference during the 2108 Festival, by speaking with journalists via a smartphone using FaceTime. This post offers some of the highlights. +++ Godard’s Guernica FaceTime with Godard 1. Thinking with Your Hands 2. Editing Comes First 3. An Editing Equation 4. Separating Image & Sound 5. [...]
IDA director Pawel Pawlikowski and cinematographer Lukasz Zal, PSC, watching the camera monitor This post continues my in-depth look at scenes from the wonderful Polish film IDA. Once again I offer video and high-resolution images to present detailed examples of scene lighting. This 2nd post is intended to be seen after you’ve read the 1st [...]
+++ Part 1 of my video interview with legendary editor and sound designer Walter Murch, whose credits include: The Conversation, The Godfather, The Godfather Part II, Apocalypse Now, The Unbearable Lightness of Being, The English Patient and Cold Mountain. +++ LINK: http://bit.ly/Murch1-thefilmbook +++
+++ Part 2 of my video interview with legendary editor and sound designer Walter Murch, whose credits include: The Conversation, The Godfather, The Godfather Part II, Apocalypse Now, The Unbearable Lightness of Being, The English Patient and Cold Mountain. In this video Walter explains why he always chooses to edit in real time, by hitting [...]
This post features a video in which Peter (colorist for Lord of the Rings, Harry Potter films, Faust, Inside Llewyn Davis) compares the highlights and blacks of film print, Xenon DCI and Laser HDR projection, and gives an overview of his HDR workflow…. The video is an edit of Peter’s presentation shot by Pauline Maillet [...]
The cinematographer and his gaffer discuss a few lighting set-ups from Spectre on thefilmbook blog on the ASC web site. +++ Link: http://bit.ly/LightingSpectreHoytema +++
– I posted a closer look at Klute, a lesser-known masterpiece by Alan Pakula with pioneering cinematography by the late, great Godron Willis, ASC, with comments by fellow cinematographers Ed Lachman, Matthew Libatique & Vilmos Zsigmond, as well as my friend & colleague Stephen Pizzello, who recently completed a book about Gordon. This post is [...]