Cinematographer Luciano Tovoli gave a wonderful Master Class in Paris last week, as part of the Cameflex event. The Master Class was ably moderated by Dominique Maillet, who also invited French camera operator Yves Agostini, and then director Jacob Berger to discuss their collaborations with Tovoli. Click on an image to start a slide show [...]
I gathered these 4 series of photos of the Paris Interaction event hosted by K5600 Lighting, Transvideo and Little Grand Studio. Marc Galerne‘s concept was to facilitate exchanges by filmmakers around lighting and monitoring gear. The concept worked ! The photos were taken by Jacques Delacoux, Jean-Noël Ferragut, Samuel Renollet and me. J’ai rassemblé ces [...]
– I posted a video summary of the workshop that I organized with Eric Kress at the Gothenburg Film Studios during Gokinema. This 4-screen video offers a summary of the 12 lighting variations, showing the dailies from each set-up along with lighting diagrams. You can see the post on thefilmbook blog on theasc. I have [...]
My posts about Eric Kress‘ Lighting Workshop on the ASC web site have been very popular. Eric was the cinematographer of the original “Girl with the Dragon Tattoo”. The workshop was held at Gothenburg Film Studios during Gokinema, in collaboration with Michael Petersen, and with the support of Marc Galerne of K5600 Lighting and Jacques [...]
— My post about Part 1 of Eric Kress‘ Lighting Workshop on the ASC web site has been very popular. Eric was the cinematographer of the original “Girl with the Dragon Tattoo”. I am preparing part 2 this coming week… The workshop was held at Gothenburg Film Studios during Gokinema with the support of Marc [...]
My latest post for thefilmbook blog on the ASC site is based on a Camerimage seminar I moderated with cinematographers and gaffers, with the encouragement and sponsorship of Marc Galerne of K5600 Lighting, and additional support by Jacques Delacoux of Transvideo. _____ The participants pictured above are: Vilmos Zsigmond, ASC, gaffer James Plannette, Michel Abramowicz, [...]
The cinematographer of 24 gives advice about movie lighting tools to still photographers wanting to make the transition to video. He mentions the use of Chimeras, Kino Flos and HMIs from K5600 Lighting. +++