A video of the shoot by the top photographer of “real women” (including Yoko Ono, Patti Smith, Amy Schumer), a calendar that is offering a different media image of women. +++ Link: http://bit.ly/VideoLeibovitzPirelliCalendar +++
dvmobile’s stereo 3D VR camera rig +++ I went to the Screen4All Forum day dedicated to Virtual Reality (or 360 Immersion), at l’Usine in Paris and took these photos of the booths and presentations +++ links Screen4All Mediakwest adastra-films.com/en digitalimmersion.fr dvmobile.fr entapano.com/jp (Entayina) gopro.com/ horamvr.com innerspacevr.com kolor.com okio-studio.com starbreeze.com video-stitch.com +++
Projection onto the dome at the SAT in Montreal My fifth post about Virtual Reality Cinema covers: 1. cameras 2. headsets 3. distribution 4. Stereo, Pano, Ciné + camera & software 5. environments, events & processes 6. loci 7. audio 8. domes 9. interactivity 10. recording depth maps 11. empathy & uncanny valley 12. futures [...]
Chris Milk TED talk +++ My fourth post on my ASC blog about Virtual Reality Cinema covers: 1. simple beginnings 2. being there 3. fixed or moving 360 4. shorts 5. documentary versus fiction 6. theater without a crew 7. editing? 8. intimacy 9. Clouds Over Sidra 10. empathy +++ LINK http://bit.ly/VRCinema4-thefilmbook- +++
Jaunt’s second prototype 360 stereo camera system – Right: Jaunt camera system on a Steadicam. Note the small camera size. +++ My third post on my ASC blog about Virtual Reality Cinema covers: VR glossar 1. Theta camera 2. Freedom360 system 3. stitching software 4. latest smartphones 5. stereo 360 6. Jaunt 7. Google Jump [...]
— Test footage in Ultra Panavision 70mm for The Hateful Eight was presented by Panavision’s Dan Sasaki with moderator David Heuring at the Cinegear show on June 6. The footage was shot in anamorphic 65mm and projected in 70mm film. The 1.25 anamorphosis results in a stunning 2.76:1 aspect ratio. Panavision has been working with [...]
— “What interested me in this was the Other. How do we see him and perceive him, how does he perceive us? How do we perceive the people who sell us roses at a café terrace, and who we send away without looking at them? They come from some place. That was what interested me.” [...]