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	<title>thefilmbook - edited by Benjamin B &#187; 4K</title>
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	<link>https://thefilmbook.net</link>
	<description>Cinema art &#38; technology edited by Benjamin B - version 3</description>
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		<title>&#8220;4K and better pixels&#8221; article</title>
		<link>https://thefilmbook.net/2013/10/4k-and-better-pixels-article/</link>
		<comments>https://thefilmbook.net/2013/10/4k-and-better-pixels-article/#comments</comments>
		<pubDate>Thu, 10 Oct 2013 22:35:57 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[cameras]]></category>
		<category><![CDATA[IBC]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[writings]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[UHD]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=1460</guid>
		<description><![CDATA[&#8212; I wrote an article on 4K and better pixels for my blog on theasc.com I discuss: - 4K and UHD - 6 factors for better pixels - Arri&#8217;s 2.8K - Sony&#8217;s 4K and UHD - futures - the challenge to theaters - compression &#038; Rec 2020 - upconversion - image quality +++]]></description>
				<content:encoded><![CDATA[<p><a href="http://bit.ly/thefilmbook-asc"><img src="https://thefilmbook.net/wp-content/uploads/2013/10/4K-and-better-pixels-by-Benjamin-B-thefilmbook.jpg" alt="4K and better pixels by Benjamin B -thefilmbook" width="500" height="347" class="alignleft size-full wp-image-1461" /></a><br />
&#8212;</p>
<p>I wrote an <a href="http://bit.ly/thefilmbook-asc" target="_blank">article</a> on <strong>4K and better pixels</strong> for my blog on theasc.com </p>
<p>I discuss:<br />
- 4K and UHD<br />
- 6 factors for better pixels<br />
- Arri&#8217;s 2.8K<br />
- Sony&#8217;s 4K and UHD<br />
- futures<br />
- the challenge to theaters<br />
- compression &#038; Rec 2020<br />
- upconversion<br />
- image quality</p>
<p>+++</p>
]]></content:encoded>
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		<title>Photos of Sony PXW-Z100</title>
		<link>https://thefilmbook.net/2013/09/photos-of-sony-pxw-z100/</link>
		<comments>https://thefilmbook.net/2013/09/photos-of-sony-pxw-z100/#comments</comments>
		<pubDate>Tue, 24 Sep 2013 21:42:53 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[cameras]]></category>
		<category><![CDATA[galleries]]></category>
		<category><![CDATA[4K]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=1357</guid>
		<description><![CDATA[Here are some photos I took of Sony&#8217;s new $6500 4K camera, the PXW-Z100 Sony PXW-Z100 4K camcorder features: - 20x zoom lens - 1/2.3 inch sensor - 422 10-bit 4K (4096&#215;2160) or UHD - 50 or 60P - up to 600 Mbps (at 60P) - XAVC format (like the F55) - XQD cards - <a href='https://thefilmbook.net/2013/09/photos-of-sony-pxw-z100/' class='excerpt-more'>[...]</a>]]></description>
				<content:encoded><![CDATA[<p>Here are some photos I took of Sony&#8217;s new $6500 4K camera, the PXW-Z100</p>
<p>Sony PXW-Z100 4K camcorder features:</p>
<p>- 20x zoom lens<br />
- 1/2.3 inch sensor<br />
- 422 10-bit 4K (4096&#215;2160) or UHD<br />
- 50 or 60P<br />
- up to 600 Mbps (at 60P)<br />
- XAVC format (like the F55)<br />
- XQD cards<br />
- $6500<br />
- will also do HD</p>
<p>I should mention that the 20x zoom range is very impressive.<br />
I look forward to shooting some footage with this camera.</p>
<p>+++</p>
<p><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-recording-formats-thefilmbook.jpg" alt="Sony Z100 recording formats -thefilmbook" width="500" height="491" class="alignleft size-full wp-image-1329" /><br />
The recording formats: up to 4K 50P for $6500</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-output-formats-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-output-formats-thefilmbook.jpg" alt="Sony Z100 output formats -thefilmbook" width="500" height="271" class="alignleft size-full wp-image-1341" /></a><br />
The ability to output 4K via HDMI is crucial, as it may allow for external recording with better quality than the native XAVC compression.</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-left-side-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-left-side-thefilmbook-.jpg" alt="Sony Z100 left side -thefilmbook-" width="500" height="292" class="alignleft size-full wp-image-1335" /></a><br />
The left side has all the controls.</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-left-side-controls-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-left-side-controls-thefilmbook-.jpg" alt="Sony Z100 left side controls -thefilmbook-" width="500" height="470" class="alignleft size-full wp-image-1338" /></a><br />
Detail of the left side controls</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-rear-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-rear-thefilmbook-.jpg" alt="Sony Z100 rear -thefilmbook-" width="500" height="410" class="alignleft size-full wp-image-1342" /></a><br />
The back of the camera</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-rear-media-slots-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-rear-media-slots-thefilmbook-.jpg" alt="Sony Z100 rear media slots-thefilmbook-" width="334" height="500" class="aligncenter size-full wp-image-1346" /></a><br />
The SD slot hints at the un-announced possibility of recording HD video for editing simultaneously with the 4K stream.</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-FZ-64-GB-XQD-cards-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-FZ-64-GB-XQD-cards-thefilmbook-.jpg" alt="Sony FZ-64 GB XQD cards -thefilmbook-" width="500" height="301" class="alignleft size-full wp-image-1331" /></a><br />
The Z100 will record 4K on to XQD high-speed cards. These 64GB are rated at 180 MBytes/second.</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-rear-connectors-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-rear-connectors-thefilmbook-.jpg" alt="Sony Z100 rear connectors -thefilmbook-" width="200" height="391" class="aligncenter size-full wp-image-1344" /></a><br />
The HDMI output has 4K, while the SDI BNC below it is limited to 2K</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-right-side-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-right-side-thefilmbook-.jpg" alt="Sony Z100 right side -thefilmbook-" width="500" height="284" class="alignleft size-full wp-image-1348" /></a><br />
The right side of the camera has no controls</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-matrix-menu-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-matrix-menu-thefilmbook.jpg" alt="Sony Z100 matrix menu -thefilmbook" width="500" height="288" class="alignleft size-full wp-image-1340" /></a><br />
The ability to import Log curves would be helpful.</p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-info-on-screen-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Sony-Z100-info-on-screen-thefilmbook-.jpg" alt="Sony Z100 info on screen -thefilmbook-" width="500" height="270" class="alignleft size-full wp-image-1333" /></a><br />
The screen information &#8212; not including thefilmbook <img src="https://thefilmbook.net/wp-includes/images/smilies/icon_smile.gif" alt=":)" class="wp-smiley" /> </p>
<p>+++</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/Alvaro-Ortiz-from-Sony-Europe-with-Sony-Z100-.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/Alvaro-Ortiz-from-Sony-Europe-with-Sony-Z100-.jpg" alt="Alvaro Ortiz from Sony Europe with Sony Z100" width="500" height="316" class="alignleft size-full wp-image-1366" /></a><br />
My thanks to Alvaro Ortiz from Sony Europe for giving me a great demo of the camera.</p>
<p>+++</p>
<p>LINKS</p>
<p>Jon Fauer&#8217;s <a href="http://www.fdtimes.com/2013/09/05/sony-pxw-z100-4k-under-6-5k/" target="_blank">report</a>  on FDTimes</p>
<p>Alister Chapman&#8217;s <a href="http://www.xdcam-user.com/2013/09/a-quick-look-at-the-sony-pxw-z100-at-ibc/" target="_blank">report</a> on XDCam-Users.com</p>
<p>Studio Daily&#8217;s <a href="http://www.studiodaily.com/2013/09/sony-announces-sub-6500-pro-4k-camcorder/" target="_blank">report</a> points out that the Z100 is priced to compete with Black Magic&#8217;s new 4K camera, which is $4K without a lens.</p>
<p>Newsshooter.com&#8217;s informative <a href="http://vimeo.com/74469356" target="_blank">video report</a> features Alistair Chapman saying future version will allow you to simultaneously record HD on SD cards, while recording 4K on the XQD</p>
<p>sony.co.uk: <a href="http://bit.ly/19op0YE" target="_blank">Matt Davis&#8217; in-depthreview</a></p>
<p>+++</p>
]]></content:encoded>
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		<item>
		<title>TV formats: from analog to Ultra</title>
		<link>https://thefilmbook.net/2013/09/tv-formats-from-analog-to-ultra/</link>
		<comments>https://thefilmbook.net/2013/09/tv-formats-from-analog-to-ultra/#comments</comments>
		<pubDate>Mon, 16 Sep 2013 00:12:03 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[television]]></category>
		<category><![CDATA[4K]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=1272</guid>
		<description><![CDATA[At the IBC conference, I appreciated the simplicity of this powerpoint slide presented by Martin Faehnrich illustrating the recent history of television formats: ___ +++]]></description>
				<content:encoded><![CDATA[<p>At the IBC conference, I appreciated the simplicity of this powerpoint slide presented by Martin Faehnrich illustrating the recent history of television formats:</p>
<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/History-of-TV-Formats-in-Martin-Faehnrich-presentation-on-Ultra-HD-thefilmbook.jpg" target="_blank"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/History-of-TV-Formats-in-Martin-Faehnrich-presentation-on-Ultra-HD-thefilmbook-.jpg" alt="History of TV Formats in Martin Faehnrich presentation on Ultra-HD -thefilmbook-" width="500" height="309" class="alignleft size-full wp-image-1274" /></a><br />
___</p>
<p>+++</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Sony Z100 camera: 4K for $6.5k</title>
		<link>https://thefilmbook.net/2013/09/sony-z100-camera-4k-for-6-5-k/</link>
		<comments>https://thefilmbook.net/2013/09/sony-z100-camera-4k-for-6-5-k/#comments</comments>
		<pubDate>Sun, 15 Sep 2013 23:31:51 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[cameras]]></category>
		<category><![CDATA[4K]]></category>
		<category><![CDATA[Sony]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=1255</guid>
		<description><![CDATA[This post has been updated with photos I took of the camera here: http://bit.ly/sonyz100photos +++]]></description>
				<content:encoded><![CDATA[<p>This post has been updated with photos I took of the camera <a href="http://bit.ly/sonyz100photos">here</a>:</p>
<p><em>http://bit.ly/sonyz100photos</em></p>
<p>+++</p>
]]></content:encoded>
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		<title>Funny commercial for UHDTV set</title>
		<link>https://thefilmbook.net/2013/09/funny-commercial-for-uhdtv/</link>
		<comments>https://thefilmbook.net/2013/09/funny-commercial-for-uhdtv/#comments</comments>
		<pubDate>Fri, 06 Sep 2013 23:24:31 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[funny]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[4K]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=1193</guid>
		<description><![CDATA[+++ This amusing Mexican commercial hypes the convincing realism of 84-inch 4K UHDTV sets by showing a meteor hitting the city to unsuspecting job applicants. Ironically, the YouTube video resolution is terrible watch on YouTube +++ via Corentin Harlé +++]]></description>
				<content:encoded><![CDATA[<p><a href="https://thefilmbook.net/wp-content/uploads/2013/09/funny-UHDT-commercial-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/09/funny-UHDT-commercial-thefilmbook.jpg" alt="funny UHDT commercial -thefilmbook" width="500" height="408" class="alignleft size-full wp-image-1196" /></a></p>
<p>+++</p>
<p>This amusing Mexican commercial hypes the convincing realism of 84-inch 4K UHDTV sets by showing a meteor hitting the city to unsuspecting job applicants. Ironically, the YouTube video resolution is terrible <img src="https://thefilmbook.net/wp-includes/images/smilies/icon_smile.gif" alt=":-)" class="wp-smiley" /> </p>
<p><iframe width="500" height="375" src="//www.youtube.com/embed/hCLYh4JSus8?rel=0" frameborder="0" allowfullscreen></iframe><br />
watch on <a href="http://youtu.be/hCLYh4JSus8" target="_blank">YouTube</a></p>
<p>+++</p>
<p>via Corentin Harlé</p>
<p>+++</p>
]]></content:encoded>
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		<title>Audio: 2013 BSC Expo 4K Panel</title>
		<link>https://thefilmbook.net/2013/05/audio-bsc-expo-4k-panel/</link>
		<comments>https://thefilmbook.net/2013/05/audio-bsc-expo-4k-panel/#comments</comments>
		<pubDate>Wed, 08 May 2013 15:00:39 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[audio]]></category>
		<category><![CDATA[4K]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=473</guid>
		<description><![CDATA[This 2013 panel was moderated by BSC cinematographer Phil Meheux and composed of: BSC cinematographers Nic Morris (Being Human) &#038; Ben Smithard (My Week with Marilyn) ASC cinematographer &#038; President of Cinematographer Guild Steven Poster Milan Krsljanin, Business Development Manager, Arri GB Peter Sykes, Strategic Marketing Manager, Sony Thomas Urbye, colourist, owner of The Look <a href='https://thefilmbook.net/2013/05/audio-bsc-expo-4k-panel/' class='excerpt-more'>[...]</a>]]></description>
				<content:encoded><![CDATA[<p><a href="https://thefilmbook.net/wp-content/uploads/2013/05/BSC-Expo-4K-panel.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2013/05/BSC-Expo-4K-panel.jpg" alt="Audio BSC Expo 4K panel" width="500" height="392" class="aligncenter size-full wp-image-474" /></a></p>
<p>This 2013 panel was moderated by BSC cinematographer <strong>Phil Meheux</strong> and composed of: </p>
<p>BSC cinematographers <strong>Nic Morris</strong> (<em>Being Human</em>) &#038; <strong>Ben Smithard</strong> (<em>My Week with Marilyn</em>)<br />
ASC cinematographer &#038; President of Cinematographer Guild <strong>Steven Poster</strong><br />
<strong>Milan Krsljanin</strong>, Business Development Manager, Arri GB<br />
<strong>Peter Sykes</strong>, Strategic Marketing Manager, Sony<br />
<strong>Thomas Urbye</strong>, colourist, owner of The Look</p>
<p>Most of the panelists seem to be slanted towards Alexa 2K, which is unfortunate, as it doesn&#8217;t make for the strongest debate about 4K <img src="https://thefilmbook.net/wp-includes/images/smilies/icon_smile.gif" alt=":)" class="wp-smiley" /> </p>
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