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	<title>thefilmbook - edited by Benjamin B &#187; performance capture</title>
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		<title>Matt Reeves about 1.85 &amp; Virtual Ape Cost in DAWN of the PLANET of the APES</title>
		<link>https://thefilmbook.net/2014/07/matt-reeves-about-1-85-virtual-ape-cost-in-dawn-of-the-planet-of-the-apes/</link>
		<comments>https://thefilmbook.net/2014/07/matt-reeves-about-1-85-virtual-ape-cost-in-dawn-of-the-planet-of-the-apes/#comments</comments>
		<pubDate>Mon, 28 Jul 2014 14:57:32 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[anamorphic]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[performance capture]]></category>
		<category><![CDATA[special effects]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=2562</guid>
		<description><![CDATA[&#8211; The director of Dawn of the Planet of the Apes reveals 2 interesting tidbits in a Reddit AMA (Ask Me Anything) online dialogue: 1. Reeves wanted to shoot anamorphic, in part because of the narrower depth of field. But Reeves was told he couldn&#8217;t shoot anamorphic because the lenses didn&#8217;t match closely enough for <a href='https://thefilmbook.net/2014/07/matt-reeves-about-1-85-virtual-ape-cost-in-dawn-of-the-planet-of-the-apes/' class='excerpt-more'>[...]</a>]]></description>
				<content:encoded><![CDATA[<p><img src="https://thefilmbook.net/wp-content/uploads/2014/07/Matt-Reeves-about-Aspect-Ratio-and-Cost-on-Dawn-of-Planet-of-the-Apes-thefilmbook.jpg" alt="Matt Reeves about Aspect Ratio and Cost on Dawn of Planet of the Apes -thefilmbook" width="500" height="423" class="alignleft size-full wp-image-2563" /></a><br />
&#8211;</p>
<p>The director of <strong>Dawn of the Planet of the Apes</strong> reveals 2 interesting tidbits in a Reddit AMA (Ask Me Anything) online dialogue:</p>
<p>1. Reeves wanted to shoot anamorphic, in part because of the narrower depth of field.<br />
But Reeves was told he couldn&#8217;t shoot anamorphic because the lenses didn&#8217;t match closely enough for 3D work.<br />
He then decided to frame 1.85, so that he would use longer lenses for the same horizontal composition than if he had shot widescreen, and therefore achieve less depth of field.</p>
<p>2. Reeves roughly estimates the cost of a 5-second shot of virtual apes to be 50-60 K dollars. The apes were rendered with performance capture by Peter Jackson&#8217;s New Zealand VFX facility, WETA.</p>
<p>The cinematography is by Michael Seresin</p>
<p>+++</p>
<p>links</p>
<p>via Germain Lussier at Slash films</p>
<p>http://bit.ly/1lMZfml</p>
<p>Reddit:<br />
AMA with Matt Reeves &#038; Michael Giachinno</p>
<p>http://bit.ly/1nRav57</p>
<p>+++</p>
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