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	<title>thefilmbook - edited by Benjamin B &#187; HDR</title>
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	<link>https://thefilmbook.net</link>
	<description>Cinema art &#38; technology edited by Benjamin B - version 3</description>
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		<title>Peter Doyle video 2 &#8211; Back to black, HDR workflow</title>
		<link>https://thefilmbook.net/2022/01/peter-doyle-video-2-back-to-black-hdr-workflow/</link>
		<comments>https://thefilmbook.net/2022/01/peter-doyle-video-2-back-to-black-hdr-workflow/#comments</comments>
		<pubDate>Thu, 06 Jan 2022 13:15:12 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[colorists]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[videos]]></category>
		<category><![CDATA[AFC]]></category>
		<category><![CDATA[Peter Doyle]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=3367</guid>
		<description><![CDATA[This post features a video in which Peter (colorist for Lord of the Rings, Harry Potter films, Faust, Inside Llewyn Davis) compares the highlights and blacks of film print, Xenon DCI and Laser HDR projection, and gives an overview of his HDR workflow&#8230;. The video is an edit of Peter&#8217;s presentation shot by Pauline Maillet <a href='https://thefilmbook.net/2022/01/peter-doyle-video-2-back-to-black-hdr-workflow/' class='excerpt-more'>[...]</a>]]></description>
				<content:encoded><![CDATA[<p><a href="https://thefilmbook.net/wp-content/uploads/2019/01/Peter-Doyle-video-2-Back-to-black-HDR-workflow-thefilmbook-PostModus.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2019/01/Peter-Doyle-video-2-Back-to-black-HDR-workflow-thefilmbook-PostModus.jpg" alt="Peter Doyle video 2 -Back to black-HDR workflow -thefilmbook -PostModus" width="1600" height="737" class="alignleft size-full wp-image-3366" /></a><br />
This <a href="http://bit.ly/PeterDoyleHDR2thefilmbook" rel="noopener" target="_blank">post</a> features a video in which Peter (colorist for Lord of the Rings, Harry Potter films, Faust, Inside Llewyn Davis) compares the highlights and blacks of film print, Xenon DCI and Laser HDR projection, and gives an overview of his HDR workflow&#8230;.</p>
<p>The video is an edit of Peter&#8217;s presentation shot by Pauline Maillet during the AFC&#8217;s HDR Day in Paris.</p>
<p>link: <a href="http://bit.ly/PeterDoyleHDR2thefilmbook" rel="noopener" target="_blank">bit.ly/PeterDoyleHDR2thefilmbook</a></p>
<p>+++</p>
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		<title>IBC 2018: Sensors, Screens, Boyle, Bennett</title>
		<link>https://thefilmbook.net/2018/09/3346/</link>
		<comments>https://thefilmbook.net/2018/09/3346/#comments</comments>
		<pubDate>Thu, 27 Sep 2018 15:50:48 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[HDR]]></category>
		<category><![CDATA[IBC]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[Bill Bennett]]></category>
		<category><![CDATA[Geoff Boyle]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=3346</guid>
		<description><![CDATA[A first post about new tools and technologies seen at IBC 2018: SUMMARY 1. HDR Bryce Button and AJA Image analyzer 2. Full Frame 3. Hydrogen Buzz 4. Netflix Effect 5. Direct View 6. HDR and fps Pete Ludé 7. Geoff Boyle 8. Bill Bennett (and Tony Davis) Real D TrueMotion link: http://bit.ly/ibcSensorsScreensThefilmbook]]></description>
				<content:encoded><![CDATA[<p><a href="https://thefilmbook.net/wp-content/uploads/2018/12/ibc1-hdr-sensors-screens-Boyle-Bennett-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2018/12/ibc1-hdr-sensors-screens-Boyle-Bennett-thefilmbook.jpg" alt="2018-ibc1-hdr-sensors-screens-Boyle-Bennett-thefilmbook" width="1920" height="1002" class="alignleft size-full wp-image-3347" /></a></p>
<p>A first <a href="http://bit.ly/ibcSensorsScreensThefilmbook" rel="noopener" target="_blank">post</a> about new tools and technologies seen at IBC 2018:</p>
<p>SUMMARY</p>
<p>1. HDR<br />
Bryce Button and AJA Image analyzer</p>
<p>2. Full Frame</p>
<p>3. Hydrogen Buzz</p>
<p>4. Netflix Effect</p>
<p>5. Direct View</p>
<p>6. HDR and fps<br />
Pete Ludé</p>
<p>7. Geoff Boyle</p>
<p>8. Bill Bennett (and Tony Davis)<br />
Real D TrueMotion</p>
<p>link: <a href="http://bit.ly/ibcSensorsScreensThefilmbook" target="_blank">http://bit.ly/ibcSensorsScreensThefilmbook</a></p>
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