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	<title>thefilmbook - edited by Benjamin B &#187; post-production</title>
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	<link>https://thefilmbook.net</link>
	<description>Cinema art &#38; technology edited by Benjamin B - version 3</description>
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		<title>Peter Doyle video 2 &#8211; Back to black, HDR workflow</title>
		<link>https://thefilmbook.net/2022/01/peter-doyle-video-2-back-to-black-hdr-workflow/</link>
		<comments>https://thefilmbook.net/2022/01/peter-doyle-video-2-back-to-black-hdr-workflow/#comments</comments>
		<pubDate>Thu, 06 Jan 2022 13:15:12 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[colorists]]></category>
		<category><![CDATA[HDR]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[videos]]></category>
		<category><![CDATA[AFC]]></category>
		<category><![CDATA[Peter Doyle]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=3367</guid>
		<description><![CDATA[This post features a video in which Peter (colorist for Lord of the Rings, Harry Potter films, Faust, Inside Llewyn Davis) compares the highlights and blacks of film print, Xenon DCI and Laser HDR projection, and gives an overview of his HDR workflow&#8230;. The video is an edit of Peter&#8217;s presentation shot by Pauline Maillet <a href='https://thefilmbook.net/2022/01/peter-doyle-video-2-back-to-black-hdr-workflow/' class='excerpt-more'>[...]</a>]]></description>
				<content:encoded><![CDATA[<p><a href="https://thefilmbook.net/wp-content/uploads/2019/01/Peter-Doyle-video-2-Back-to-black-HDR-workflow-thefilmbook-PostModus.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2019/01/Peter-Doyle-video-2-Back-to-black-HDR-workflow-thefilmbook-PostModus.jpg" alt="Peter Doyle video 2 -Back to black-HDR workflow -thefilmbook -PostModus" width="1600" height="737" class="alignleft size-full wp-image-3366" /></a><br />
This <a href="http://bit.ly/PeterDoyleHDR2thefilmbook" rel="noopener" target="_blank">post</a> features a video in which Peter (colorist for Lord of the Rings, Harry Potter films, Faust, Inside Llewyn Davis) compares the highlights and blacks of film print, Xenon DCI and Laser HDR projection, and gives an overview of his HDR workflow&#8230;.</p>
<p>The video is an edit of Peter&#8217;s presentation shot by Pauline Maillet during the AFC&#8217;s HDR Day in Paris.</p>
<p>link: <a href="http://bit.ly/PeterDoyleHDR2thefilmbook" rel="noopener" target="_blank">bit.ly/PeterDoyleHDR2thefilmbook</a></p>
<p>+++</p>
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		<title>2018 IBC: LED, Texture, Unity, Art</title>
		<link>https://thefilmbook.net/2018/09/2018-ibc-led-texture-unity-art/</link>
		<comments>https://thefilmbook.net/2018/09/2018-ibc-led-texture-unity-art/#comments</comments>
		<pubDate>Fri, 28 Sep 2018 16:03:44 +0000</pubDate>
		<dc:creator><![CDATA[BenjaminB]]></dc:creator>
				<category><![CDATA[IBC]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[post-production]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">https://thefilmbook.net/?p=3350</guid>
		<description><![CDATA[This post continues my impressions of some of the current and future cinema technology presented at the IBC trade show in Amsterdam. +++ SUMMARY 1. LED Smart Light Marc Galerne K5600 Lighting, Frieder Hochheim Kinoflo 2. Texture Equaliser Daniele Siragusano &#8211; Filmlight 3. VFX in Real Time Adam Myhill from Unity and VFX consultant Habib <a href='https://thefilmbook.net/2018/09/2018-ibc-led-texture-unity-art/' class='excerpt-more'>[...]</a>]]></description>
				<content:encoded><![CDATA[<p><a href="https://thefilmbook.net/wp-content/uploads/2018/12/IBC-2.-LED-DI-VFX-Art-Robby-ASC-Benjamin-B-thefilmbook.jpg"><img src="https://thefilmbook.net/wp-content/uploads/2018/12/IBC-2.-LED-DI-VFX-Art-Robby-ASC-Benjamin-B-thefilmbook.jpg" alt="2018-IBC- 2. LED DI VFX Art Robby ASC -Benjamin B -thefilmbook" width="1920" height="2020" class="alignleft size-full wp-image-3351" /></a></p>
<p>This <a href="http://bit.ly/ibc2-ledDIvfxArtRobby" rel="noopener" target="_blank">post</a> continues my impressions of some of the current and future cinema technology presented at the IBC trade show in Amsterdam.<br />
+++</p>
<p>SUMMARY</p>
<p>1. LED Smart Light<br />
Marc Galerne K5600 Lighting, Frieder Hochheim Kinoflo</p>
<p>2. Texture Equaliser<br />
Daniele Siragusano &#8211; Filmlight</p>
<p>3. VFX in Real Time<br />
Adam Myhill from Unity and VFX consultant Habib Zargarpour</p>
<p>4. VR<br />
filmmaker Jannicke Mikkelsen</p>
<p>5. Cinematic Art<br />
Kyoji Ikeda</p>
<p>6. Robby Muller Film<br />
Director Claire Pijman</p>
<p>7. ASC Cruise</p>
<p>+++</p>
<p>link: <a href="http://bit.ly/ibc2-ledDIvfxArtRobby" rel="noopener" target="_blank">http://bit.ly/ibc2-ledDIvfxArtRobby</a></p>
<p>+++</p>
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