— Images from the trailer to Terrence Malick’s new movie, with cinematography by Emmanuel Lubezki. I want to see this film, and almost feel like going to Berlin to see it open at the Berlinale. Link: the trailer +++
— “Truffaut said that Hitchcock filmed lovemaking as if it was murder, and filmed murder as if it was lovemaking.” I have posted my third commentary about Alfred Hitchcock‘s brilliant film, Strangers on a Train. My first post discussed the opening sequence, comparing the shooting script to the film, and Truffaut’s vision of Hitchcock as [...]
— Jeff Desom’s methodical assembly of all the shots of the courtyard in Alfred Hitchcock’s masterpiece is an extraordinary piece of storyboarding. You get to see all the different homes and stories that make up the courtyard, and to see the plot unfold. Desom actually used this footage to create a 20-minute 3-projector looping video [...]
___ Abel Ferrara offers a film about Italian director Pier Paolo Pasolini starring Willem Dafoe in the title role. The film focuses on the end of his life and his mysterious murder. I wonder whether the film can do justice to the complex genius of the poet, filmmaker, artist. I hope it’s better than Welcome [...]
The strangers meet – I published the first of several posts on Alfred Hitchcock’s masterpiece, Strangers on a Train, on my blog on theasc.com. In my post I discuss the innovative 2-minute introduction of the characters, using only shots of their shoes. I also compare the shooting script to the film, to see if Hitch [...]
– I posted an interview I did 7 years ago with the late, great cinematographer Harris Savides about the filmmaking process with director Gus van Sant for their masterful Death Trilogy: Gerry, Elephant, Last Days. The post is on my blog on theasc.com. Here’s an excerpt: BB: And for you as a cinematographer, does freedom [...]
– The director of Dawn of the Planet of the Apes reveals 2 interesting tidbits in a Reddit AMA (Ask Me Anything) online dialogue: 1. Reeves wanted to shoot anamorphic, in part because of the narrower depth of field. But Reeves was told he couldn’t shoot anamorphic because the lenses didn’t match closely enough for [...]
— Xavier Dolan’s film is about a flamboyant mother who home-schools her turbulent teenage son with the help of school teacher neighbor. This inventive feature was shot on 35mm film in the unusual 1:1 format by André Turpin. Dolan’s film shared the Jury Prize at the Cannes Film Festival with Jean-Luc Godard’s 3D film, Goodbye [...]
Images from the the last 4 minutes of Pier Paolo Pasolini’s 1964 masterpiece “The Gospel According to Saint Matthew”. The sequence starts with the descent of Christ’s body from the cross, his burial, & the subsequent visit to an empty tomb. The film ends with Jesus telling the disciples that he will always be with [...]
To be honest, I had been avoiding seeing Nymphomaniac Volume I by Lars von Trier. It felt like homework I had to do. Don’t get me wrong, I love sexuality as a filmmaking subject, in part because it is so difficult to do well. I feel that the 2 most difficult cinema subjects are sex [...]